<?xml version="1.0" encoding="UTF-8"?><item href="/magazine/politics-chinese-hip-hop.html" dsn="news"><item_date><span class="date-display-single">03/09/2023</span></item_date><category_header/><title>Politics of Chinese Hip-Hop</title><subheader/><description/><author/><photographer> </photographer><image> </image><taxonomy-story-type/><taxonomy-cultural-story-category/><taxonomy-news-sections/><taxonomy-college-department/><taxonomy-tags/><type>story</type><categories/><relationships/><main-content>
    
    
    
  
    
      

Meng Ren, a doctoral ethnomusicology student, is documenting the evolution of Chinese hip-hop in her dissertation titled “Forbidden Sound: The Art, Culture and Politics of Chinese Hip- Hop,” the first full-length work on this topic. Through her research, Ren speaks to how hip-hop gives the marginalized a voice to express their political discontent through creative sound.Her contribution to music research earned her the 2021 Presser Foundation Graduate Scholar award as well as second place in UNT’s Three-Minute Thesis (3MT®) competition. She plans to expand her research by exploring the preservation of Yunnan reggae and investigating music as a mode of healing.

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